{"id":218,"date":"2008-03-04T21:33:48","date_gmt":"2008-03-04T21:33:48","guid":{"rendered":"http:\/\/localhost\/macphoenix.com\/?p=218"},"modified":"2012-04-17T22:38:49","modified_gmt":"2012-04-18T02:38:49","slug":"the-glorious-return-of-tmx-music-is-math-v-starship-trooper","status":"publish","type":"post","link":"https:\/\/macphoenix.com\/index.php\/2008\/03\/the-glorious-return-of-tmx-music-is-math-v-starship-trooper\/","title":{"rendered":"The Glorious Return of TMX: Music Is Math v. Starship Trooper"},"content":{"rendered":"<p>The Glorious Return of TMX: Music Is Math v. Starship Trooper<br \/>\nIn our last episode of [TMX][1], I had sent Rich &#8220;Starship Troopers,&#8221; by **Yes**, and he sent me &#8220;Ready Lets Go\/Music Is Math,&#8221; by **Boards of Canada**. Here is my response to &#8220;Ready Lets Go\/Music Is Math&#8221;:<\/p>\n<p><small>Excerpt from &#8220;<a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewAlbum?i=39790469&#038;id=39790518&#038;s=143441\">Music Is Math<\/a>,&#8221; by Boards of Canada.<\/small><\/p>\n<p>>I tell you Rich, the initials B-O-C will always represent **Blue Oyster Cult**, which is more of an effect of my age than it is of personal preference. I like Boards of Canada, certainly much more than Blue Oyster Cult.<br \/>\n><br \/>\n>But to the tracks at hand. &#8220;Ready Lets Go&#8221; is a short little bit, at just under a minute. I like the film-strip sound quality to it, and the three repeating tones make me think of an old radio network&#8217;s call tone. &#8220;Ready Lets Go&#8221; was more evocative to me than &#8220;Music Is Math.&#8221;<br \/>\n><br \/>\n>I wanted to really enjoy &#8220;Music Is Math,&#8221; since whenever I hear that title, I say, usually aloud, &#8220;Music *IS* math!&#8221; The first three minutes were building up to something. It was slow and leisurely, which surprised me, since you&#8217;re so into music that you can dance to. But I understand when you get into a groove, so I was anticipating something really big.<br \/>\n><br \/>\n>And then we hit the 3:30 mark, and the song failed. Sorry. It just failed. I really didn&#8217;t like the last part of it. The mood shifted from open and expansive to claustrophobic. I don&#8217;t know if that last minute or so is a bridge to the next song or a theme used later in the album, but it was just didn&#8217;t belong there.<br \/>\n><br \/>\n>Still I like Boards of Canada. I like trance-y music. But &#8220;Music Is Math&#8221; just didn&#8217;t do it for me.<\/p>\n<p>Well, bummer. Let&#8217;s see what Rich thought of &#8220;Starship Trooper&#8221;:<\/p>\n<p><small>Excerpt from &#8220;<a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewAlbum?i=40286270&#038;id=40286256&#038;s=143441\">Starship Trooper<\/a>,&#8221; by Yes.<\/small><\/p>\n<p>>Now I&#8217;ve got a pretty random musical past. The first record I ever bought was **Doug E. Fresh** &#038; **Slick Rick**&#8217;s &#8220;The Show.&#8221; The first cassette album I owned was **Run DMC**&#8217;s &#8220;King of Rock.&#8221; My second cassette was &#8220;Big Generator&#8221; by **Yes**, and I loved it. (Cassettes number 3 and 4 were **Bon Jovi**, &#8220;Slippery When Wet,&#8221; and **Belinda Carlisle** &#8220;Heaven on Earth&#8221;&#8211;but that&#8217;s not really something I&#8217;m proud of.) Ahhh, &#8220;Big Generator.&#8221; The bass lines were so groovy, the drums punchy and tight, the production was so big and 80s. It had super-catchy hooks and great harmonies. Add to that the almost beat-box intro to &#8220;Big Generator,&#8221; the track, and I was right at home.<br \/>\n><br \/>\n>Now I know Yes gets a lot of flack for being too prog-rock and **Jon Anderson**&#8217;s higher register vocals grate on some, not unlike how some people either love or hate **Geddy Lee**&#8217;s voice, and how **Rick Wakeman**&#8217;s synth solos can sound a bit like he&#8217;s practicing scales. I remember reading in an interview a great diss that went something like, &#8220;Rick Wakeman is excellent at playing scales. Do you know who else is good at playing scales? My twelve year old daughter.&#8221; Classic. Oh yeah&#8211;others balk at the length of the songs. Nine minutes and twenty three seconds? No problem. I&#8217;ve got 173 songs in my **iTunes** library that clock in at 9 minutes or better, so it&#8217;s right at home.<br \/>\n><br \/>\n>In spite of what detractors say, I really can vibe on the Yes sound&#8211;they are tight musicians, and even though their songs are sometimes sonic mazes riddled with odd time signatures and more sections than your average pop song, it doesn&#8217;t land them in the same category as **Rush** or **Dream Theater**. The songs tell some great stories and the music builds some fantastic soundscapes while not being too indulgent with groove-breaking fills and solos.<br \/>\n><br \/>\n>I was definitely digging on &#8220;Starship Trooper.&#8221; While it&#8217;s far from the first time I&#8217;ve heard the song, it was cool to revisit it with some critical listening.<\/p>\n<p>Next week, I send Rich &#8220;Rock and Roll,&#8221; by **The Velvet Underground**. Will Rich be able to handle a five-minute track with basically one stanza repeated three times as sung by **Lou Reed**?<\/p>\n<p>[1]: http:\/\/www.macphoenix.com\/creative\/blog\/archives\/2007\/04\/tmx_music_is_math_v_starship_trooper.html &#8220;Tuesday Music Exchange&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Glorious Return of TMX: Music Is Math v. Starship Trooper In our last episode of [TMX][1], I had sent Rich &#8220;Starship Troopers,&#8221; by **Yes**, and he sent me &#8220;Ready Lets Go\/Music Is Math,&#8221; by **Boards of Canada**. Here is my response to &#8220;Ready Lets Go\/Music Is Math&#8221;: Excerpt from &#8220;Music Is Math,&#8221; by Boards [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_import_markdown_pro_load_document_selector":0,"_import_markdown_pro_submit_text_textarea":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-218","post","type-post","status-publish","format-standard","hentry","category-tmx"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nj3d-3w","_links":{"self":[{"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/posts\/218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/comments?post=218"}],"version-history":[{"count":1,"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/posts\/218\/revisions"}],"predecessor-version":[{"id":394,"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/posts\/218\/revisions\/394"}],"wp:attachment":[{"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/media?parent=218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/categories?post=218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/macphoenix.com\/index.php\/wp-json\/wp\/v2\/tags?post=218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}