MacPhoenix: Lounge: Visions of Balby Art Gallery
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By the Awful Dodger. “Truly astounding. And disgusting. Astoundingly disgusting,” raves our art critic, Philbert Hrumph. “All this modern art will amount to nothing, mark my words.”
By Keith Quinn. Art historian, Philbert Hrumph, believes this to be the earliest representation of Balby that survived the great Balby Museum of Myself fire back in 1954, adding, “Note the simple lines and awful animation. Terrible.”
By James MacMurray. Philbert Hrumph: “I will only comment on this after I stop retching. What was usually stable and decent MacMurray thinking?”
By Henry Leib. “Dignity and taste,” says art critic, Philbert Hrumph, “I can only assume that is what Leib was trying to attempt here. Instead, we are treated to tasteless indignanty.”
By Melissa Barrett. “Of all the embarrassments that Balby has to endure, this is the greatest,” notes famed art critic, Phibert Hrumph, “and that’s why I like it a lot.”
By Peter Gargiulo. “What Miró did for pipes,” says Phibert Hrumph, art historian for the Lounge, “Peter does for pipes.”
By Erick Wilson. According to Philbert Hrumph, “This piece represents the worst excesses of Westerners flirting with Eastern mystism.”
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MacPhoenix: Lounge: Visions of Balby Art Gallery